Saturday, October 12, 2019
The Origin of the Work of Art Essay -- Literary Analysis, Heidegger
In The Origin of the Work of Art, Heidegger attempts to the answer the question of what art is, as well as try to find the origin of art itself. In his attempt Heidegger distinguishes between his ideas of ââ¬Å"Workâ⬠and ââ¬Å"Equipmentâ⬠. While, central to his argument within The Origin of the Work of Art, these ideas are important within themselves in Heideggerââ¬â¢s Philosophy. In this essay I will define as well as compare and contrast these two concepts. I will also explain the ideas of ââ¬Å"Earthâ⬠and ââ¬Å"Worldâ⬠presented by Heidegger in order to facilitate this goal. Finally, Iââ¬â¢ll conclude the paper by summarizing the key concepts and their relationship to one another. In order to accomplish the goal of defining and explaining both ââ¬Å"Equipmentâ⬠& ââ¬Å"Workâ⬠; Iââ¬â¢ll need to introduce and explain two other prevalent concepts in Heideggerââ¬â¢s work. These are the concepts of ââ¬Å"Worldâ⬠and ââ¬Å"Earthâ⬠. First Iââ¬â¢ll start with the notion of ââ¬Å"Worldâ⬠. Heidegger writes, ââ¬Å"The world is not the mere collection of the countable or uncountable, familiar and unfamiliar things that are at handâ⬠(Heidegger, pg.170). Heidegger is stating that the ââ¬Å"Worldâ⬠isnââ¬â¢t merely an ontical concept that most of us perceive of, a totality of matter existing within the material conception of ââ¬Å"Worldâ⬠. Heidegger clearly explains, ââ¬Å"The world worlds, and is more fully in being than the tangible and perceptible realm in which we believe ourselves to be at homeâ⬠(Heidegger, pg 170). Heidegger defines ââ¬Å"Worldâ⬠as an ontological concept, in which a web of significant relations exists between Dasein and all that is ready-at-hand. For example, a coffee table exists in a web of significant relations for it points to those who regularly sit at it, which then can branch of to the various conversations ha... ...e work lets the earth be an earthâ⬠(Heidegger, pg 172). He then adds, ââ¬Å"The opposition of world and earth is strifeâ⬠(Heidegger, pg 174). We finally have the criteria of what ââ¬Å"Workâ⬠is. Heidegger explains that work sets up a world and sets forth the ââ¬Å"Earthâ⬠. ââ¬Å"The work is an instigating of this strifeâ⬠(Heidegger, pg 175). That strife opens truth or as Heidegger puts it, ââ¬Å"Aletheiaâ⬠to the observer of the ââ¬Å"Workâ⬠. The struggle or ââ¬Å"Strifeâ⬠is the process of a work of art taking place within the art work itself. In conclusion, the concepts of ââ¬Å"Workâ⬠and ââ¬Å"Equipmentâ⬠that Heidegger presents in The Origin of the Work of Art can be summarized as follows. ââ¬Å"Equipmentâ⬠defines itself by its use and ââ¬Å"Workâ⬠is grounded upon the ââ¬Å"Earthâ⬠and ââ¬Å"Worldâ⬠it was created on. Whose essential importance cannot be understated in order to understand Heideggerââ¬â¢s message within the text.
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